☆Capable of being applied to both production and post-production stages.
The brightness detector adjusts monitor brightness automatically according to various environment. It only adjusts the backlight of monitor, so color reproduction will not be affected.
1.16:9 FULL HD 1920*1080 ,HIGH CONTRAST PANEL
2. SDI and HDMI VIDEO SIGNAL LUMINANCE WAVEFORM DISPLAY
3.FALSE COLOR, RAPID POSITIONING OF OUT OF LUMINANCE
4.SAFETY MARKS,MARKER SCALE,CENTER MARK
8.16 CHANNEL AUDIO METERS
9.SAFETY LOCK FEATURE
11.EMBEDDED 3D-LUT（Rec709, SMPTE-C, SRGB AND EBU）
12.F KEY USER-DEFINED
13. SUPPORT RUIGE PCC COLOR CALIBRATION SOFTWARE
14: INTELLIGENT LIGHT PERCEPTION, AUTO BRIGHTNESS ADJUSTMENT
|SCREEN SIZE||21.5' LCD monitor|
|VIEWING ANGLE||HORIZONTAL 178°
|DC INPUT POWER||12V DC|
|INSTALLATION||Desktop or VESA|
|VIDEO INPUT||3G/HD/SD-SDI 2 X BNC
HDMI 1.3 X 1
|EMBEDDED AUDIO||16 CHANNEL
DISPLAY 8 CHANNEL
AT ONE TIME
|SDI EMBEDDED AUDIO||SUPPORT|
|VIDEO OUTPUT||3G/HD/SD-SDI 1 x BNC|
|TALLY DISPLAY||DUAL-COLOR TALLY LIGHT|
B/P/D Series Monitor internally built in 3D-LUT Color Management System in accordance with unified industry standards and it uses professional testing equipment to take systematic and accurate calibration for monitors to ensure the display indicator of monitor meet the tolerance range of color space standard .Therefore, it ensures each monitor has the accurate color restoration and the color of same style monitors is consistent to the maximum extent .
Luminance levels can be represented using False Color on the screen. It represents the amount of exposure explained as color values ranging from Blue to Green to Yellow to Red.
False Color is used to assist in setting the camera exposure. Blue (cool color) indicates a low exposure, a darker blue indicates an even lower exposure. Red (warm color) indicates a high exposure and a deeper red indicates an even higher exposure. Green and Yellow are in between. A scan feature allowing the image to be offset to the upper left revealing the Luminance Waveform on the upper right makes it easy to identify parts of the picture which may exceed standards.
The zebra function is a reminder of the exposure of the subject. It is a highlight indicator. When shooting with a manual IRIS, you can control the IRIS according to the zebra pattern.
Usually when the brightness of the subject exceeds 80% of the maximum brightness that the camera can accommodate (this value is different depending on the model), zebra patterns begin to appear, so when adjusting the IRIS, the brightest part of the subject should be shown for Slightly zebra pattern, and no zebra pattern in other parts, that you can get accurate exposure. If there are too many zebra patterns, it shows that the image is overexposed; if there are no zebra patterns in any part of the image, the image is underexposed. At present, the level of the zebra pattern of some cameras is adjustable, and can usually be adjusted between 60% and 100% of the maximum brightness according to the own habits.
IRE Waveform is used for checking exposure value of shooting spot ,and also it is a necessary tool for testing the camera tolerance by DP or Cinematographer .
Film shooting now are still based on 2.35:1 aspect ratio , HL-700HD uses the “ safety signal hidden” function . If we want to display 2.35:1 scale on the 16:9 screen , we can use this “ safety signal hidden “ function to realize the full screen IRE waveform display and also to view the complete picture . In this way, the range of the IRE safety signal will be hidden and just display the signal over IRE 80 and below IRE 20 .Moreover , it displays the bright part and dark part this two key signal information in the upper and lower part of screen , where there is no picture displaying . We can see not only the whole shooting picture displayed ,but also the full screen IRE waveform displayed with the accuracy in the real time and it solves the incompatibility of this two display ways . In fact , we generally view the full screen IRE waveform when testing the equipments and focus on the bright and dark zones when shooting.
16 channels of embedded audio in the SDI video signal can be decoded and 8 selective channels can be shown on the screen at the same time. The Volume unit shows both VU and PPM.
The Volume unit is used for measuring audio levels and calibration. This is helpful for making sure that audio levels are within technical requirements and specifications.
Image overflow or cutoffs can be checked using this feature. This is helpful during “Pan and Scan” as image is prepped for various broadcast markets. Ruige monitors have selections for Safety Marker Scales, Title Scales, Transform Scales and Center Cross. This is helpful for composition during shooting or title placement.
In order to adjust for correct scanning users can choose different Aspect ratios. Selections are: 16:9, 4:3, Letterbox, Pixel-to-Pixel, Over Scan and Built-in Scan.
Only the blue portion of the video signal is displayed.
This is used for monitor color phase adjustment, level and calibration.
Overscan is often used to programing for TV broadcast.