☆Providing 1200 nits of brightness, AT-2151 is the ideal monitor for outdoor filming.
☆Practical, simple, and accurate operating system and functions.
☆Capable of being applied to both production and post-production stages.
1.16:9 FULL HD 1920*1080 ,HIGH CONTRAST PANEL
2. SDI and HDMI VIDEO SIGNAL LUMINANCE WAVEFORM DISPLAY
3.FALSE COLOR, RAPID POSITIONING OF OUT OF LUMINANCE
4.SAFETY MARKS,MARKER SCALE,CENTER MARK
8.16 CHANNEL AUDIO METERS
9.SAFETY LOCK FEATURE
11.EMBEDDED 3D-LUT（Rec709, SMPTE-C, SRGB AND EBU）
12.F KEY USER-DEFINED
13. SUPPORT RUIGE PCC COLOR CALIBRATION SOFTWARE
14: INTELLIGENT LIGHT PERCEPTION, AUTO BRIGHTNESS ADJUSTMENT
|MODEL||AT-2151HD HIGHT BRIGHTNESS|
|SCREEN SIZE||21.5' LCD monitor|
|VIEWING ANGLE||HORIZONTAL 178°
|DC INPUT POWER||12V DC|
|INSTALLATION||Desktop or VESA|
|VIDEO INPUT||3G/HD/SD-SDI 2 X BNC
HDMI 1.3 X 1
|EMBEDDED AUDIO||16 CHANNEL
DISPLAY 8 CHANNEL
AT ONE TIME
|SDI EMBEDDED AUDIO||SUPPORT|
|VIDEO OUTPUT||3G/HD/SD-SDI 1 x BNC|
|TALLY DISPLAY||DUAL-COLOR TALLY LIGHT|
3D LUT Loading
B/P/D Series Monitor internally built in 3D-LUT Color Management System in accordance with unified industry standards and it uses professional testing equipment to take systematic and accurate calibration for monitors to ensure the display indicator of monitor meet the tolerance range of color space standard .Therefore, it ensures each monitor has the accurate color restoration and the color of same style monitors is consistent to the maximum extent .
The luminance waveform can be superimposed over picture (see below). The Y-axis represents the luminance level. There are two indicators; one at 100% and one at 700mv.
The Luminance waveform is mainly used to read the value of the Y signal. This is helpful for setting Camera Iris levels.
16 channels of embedded audio in the SDI video signal can be decoded and 8 selective channels can be shown on the screen at the same time. The Volume unit shows both VU and PPM.
The Volume unit is used for measuring audio levels and calibration. This is helpful for making sure that audio levels are within technical requirements and specifications.
Luminance levels can be represented using False Color on the screen. It represents the amount of exposure explained as color values ranging from Blue to Green to Yellow to Red.
False Color is used to assist in setting the camera exposure. Blue (cool color) indicates a low exposure, a darker blue indicates an even lower exposure. Red (warm color) indicates a high exposure and a deeper red indicates an even higher exposure. Green and Yellow are in between. A scan feature allowing the image to be offset to the upper left revealing the Luminance Waveform on the upper right makes it easy to identify parts of the picture which may exceed standards.
The zebra pattern is a reminder of the exposure of the subject. It is a highlight indicator. When shooting with a manual aperture, you can control the aperture according to the zebra pattern.
Usually when the brightness of the subject exceeds 80% of the maximum brightness that the camera can accommodate (this value is different depending on the model), zebra patterns begin to appear, so when adjusting the aperture, the brightest part of the subject should be Slightly zebra pattern, and no zebra pattern in other parts, so you can get accurate exposure. If there are too many zebra patterns, it shows overexposed; if there are no zebra patterns in any part of the image, the image is underexposed. At present, the level of the zebra pattern of some cameras is adjustable. It can usually be adjusted between 60% and 100% of the maximum brightness.
Safe & Area Marker
Image overflow or cutoffs can be checked using this feature. This is helpful during “Pan and Scan” as image is prepped for various broadcast markets. Ruige monitors have selections for Safety Marker Scales, Title Scales, Transform Scales and Center Cross. This is helpful for composition during shooting or title placement.
Only the blue portion of the video signal is displayed.
This is used for monitor color phase adjustment, level and calibration
Muti-Aspect Ratio Switchable
In order to adjust for correct scanning users can choose different Aspect ratios. Selections are: 16:9, 4:3, Letterbox, Pixel-to-Pixel, Over Scan and Built-in Scan.
Overscan is often used to programing for TV broadcast.